
For me, I really dislike the idea of physical copies being made of art - for one, I think it really devalues it for the owner of the original. Why own it if any old person could purchase a copy for himself? But there's a much more physical connection that I look for in an original, too - the artist's intent is there in front of you; he thought of something, he put brush to canvas, and there it is: ideas manifested physically. A print, on the other hand, was not created with any such sense of intention; it's all about profit, because---let's be real---no one is producing Starry Night prints just so that a wider audience can appreciate art.
I feel the same way about even photographic prints - if an image is showing in hundreds of galleries over the world, it doesn't feel SPECIAL to look at it, it doesn't feel like I am connecting to the artist in any way, because its meaning has been watered down. I was extremely bummed out when I found out at a Rodin exhibit that I was seeing one of MANY copies of "The Thinker." At that point, I thought, I might as well have been looking at a picture of it.
On the other hand, I have no problem with photographs of art pieces so that they can be seen in books or on the Internet, because I think in those cases, it doesn't devalue the original, and really is intended to be educational or informative or horizon-expanding because there's no money to be made in it; it serves only as a starting point for admiration or discussion.
On the other hand, I have no problem with photographs of art pieces so that they can be seen in books or on the Internet, because I think in those cases, it doesn't devalue the original, and really is intended to be educational or informative or horizon-expanding because there's no money to be made in it; it serves only as a starting point for admiration or discussion.
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